Seven Ages
By William Shakespeare
Analysis :
· This
poem ‘Seven Ages’ is taken from the play ‘As You Like It’ written by William
Shakespeare, the greatest dramatist ever in English Literature.
· These
lines are a monologue spoken by Jaques, a melancholy and philosophical man in
the play. Today, this monologue is considered one of the greatest pieces of
English literature and is studied in schools worldwide.
· The
Globe Theatre opened by Shakespeare’s playing company had just opened in
London, and it used the Latin motto as the theme "Totus mundus agit
histrionem," which means ‘the world has players and the same phrase is used
to open this monologue.
· It
is a narrative poem composed in iambic pentameter – five pairs or iambs of 2
syllables each, in total 10 syllables.
· In
this poem the poet discusses a man’s life and the various roles he plays in his
lifetime, which terms as ‘Seven Ages’. He compares life to a play. Just like in
a play all the actors appear on the stage and perform their specified roles
before leaving this world.
· This
poem is written in blank verse with no rhyme scheme.
· The
tone of the poem is philosophical.
· Themes
of the poem are transience of life and the universal human experience. It also
highlights the transience and futility of life and cyclic nature of life, giving
the impression of philosophical thinking about life during the Renaissance.
Line by Line Explanation
Lines 1-5
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
Explanation :
Shakespeare compares the world to a stage and people
to actors. Just like actors enter and exit the stage during a play, human
beings are born into the world and eventually leave it through death. During
their lifetime, every person performs many different roles, similar to actors
playing different characters. These roles represent the seven stages of human
life, such as infancy, childhood, youth, adulthood, old age, and so on.
Thus, the poet suggests that life is like a dramatic
performance where each person plays several roles before finally leaving the
stage of the world.
Lines 5-9
At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
Explanation :
These lines describe early childhood and the reluctant
school-going stage of life.
In the first stage, a person is an infant. The baby
cries (“mewling”) and sometimes vomits (“puking”) while being carried in the
nurse’s arms. This shows the helplessness and dependence of a newborn child.
In the second stage, the child becomes a schoolboy. He
carries his satchel (school bag) and has a fresh, bright face in the morning.
However, he goes to school unwillingly and very slowly, “creeping like a
snail,” showing that children often dislike going to school.
Lines 9-15
And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth.
Explanation
This stage represents youth, when a person falls
deeply in love. The lover sighs intensely like a burning furnace and writes sad
love songs to express his feelings. He praises the beauty of his beloved, even
writing poems about small features like her eyebrow.
The next stage of life is that of a soldier, symbolizing bravery and action. The
soldier uses strong and unusual oaths and has a beard like a leopard (pard),
showing fierceness. He is very sensitive about his honor and quickly becomes
angry or ready to fight. He tries to gain fame and reputation, which the poet
calls temporary like a bubble. He is ready to face great danger in battle, even
the mouth of a cannon, to achieve that reputation.
In the third stage, a person becomes a lover who sighs
deeply and sadly with strong emotion of love and infatuation. His passion is so
strong and his emotions are so fiery that his sigh is compared to hot furnace
as fire of love is burning in his heart. He also writes sad love songs to
praise his beloved’s facial beauty which is represented by his eye brow.
In the fourth stage, he becomes a soldier who is
brave, hot-tempered, and eager to defend his honor. He is ready to fight
quickly and even risk his life in battle to gain fame and reputation, which the
poet calls temporary and short-lived like a bubble which breaks within few
moments.
Lines 15-25
And then the justice
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound.
Explanation :
This stage represents a middle-aged man, usually wise
and respected like a judge. He has a round stomach, showing he enjoys good food
and a comfortable life. He has a serious expression and a neatly trimmed beard,
reflecting dignity and authority. He often speaks wise sayings and practical
examples, showing his experience and knowledge. Thus, he performs this role of
a wise and respected man in society.
The next stage is old age, where a man becomes thin
and wears slippers like a weak old person. He needs glasses to see clearly and
carries a small purse at his side. The stockings he saved from his youth are
now too loose for his thin legs. His once strong and powerful voice begins to
weaken. His voice becomes thin and high-pitched like a child’s voice, sometimes
sounding like whistles.
Overall, these lines describe how a man moves from the
respected stage of maturity to the weakness of old age.
Lines 25-28
Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
Explanation :
This refers to the final stage of life, just like the
last scene of a play. Human life is described as a strange and eventful story,
and this stage brings that story to an end. In extreme old age, a person
becomes weak and dependent like a child again, and begins to lose memory and
awareness.
In this stage, a person loses many abilities—no teeth, poor eyesight, little
sense of taste, and almost all physical and mental powers.
Themes Highlighted in the poem
Transience and futility of life and the universal human experience, cyclic nature of life, Passage of time and aging, giving impression of philosophical thinking about life during the Renaissance. It speaks about even sins and qualities and weaknesses specific to age. It presents the world as a stage and people as actors.
Blank Verse – The poem does not follow any rhyme. It is a narrative poem composed in iambic pentameter – five pairs or iambs of 2 syllables each, in total 10 syllables.
Poetic Devices
All the world’s a stage, - Extended Metaphor
And all the men and women merely players; - Metaphor, Alliteration
They have their exits and their entrances, - Metaphor, Alliteration,
And one man in his time plays many parts, - Alliteration
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; - Imagery, Consonance
And then the whining schoolboy, with his satchel, - Assonance, Imagery
And shining morning face, creeping like snail - Simile, Consonance, Imagery
Unwillingly to school. And then the lover, - Alliteration
Sighing like furnace, with a woeful ballad -
Made to his mistress’ eyebrow. Then a soldier, - Alliteration, Synecdoche
Full of strange oaths, and bearded like the pard, -
Jealous in honor, sudden and quick in quarrel, - Assonance, Alliteration
Seeking the bubble reputation - Metaphor
Even in the cannon’s mouth. And then the Justice - Hyperbole, Alliteration,
In fair round belly with good capon lined, - Assonance
With eyes severe and beard of formal cut, - Consonance
Full of wise saws and modern instances; - Consonance
And so he plays his part. The sixth age shifts - Alliteration
Into the lean and slippered pantaloon, - Consonance, Imagery
With spectacles on nose and pouch on side; -
His youthful hose, well saved, a world too wide - Alliteration, Consonance
For his shrunk shank; and his big manly voice, -
Turning again toward childish treble, pipes - Metaphor
And whistles in his sound. Last scene of all, - Metaphor
That ends this strange eventful history, - Metaphor
Is second childishness and mere oblivion, - Metaphor
Sans teeth, sans eyes, sans taste, sans everything. - Repetition






